New Repertory Theatre

----------
buy ticketsreturn home
----------
Mainstage Season
-----
Downstage @ New Rep
-----
Holiday Traditions
------
New Voices @ New Rep
-----
Special Events
-----
Special Events
-----
Archives
-----
Donate Now!Join E-Mail

New Voices @ New Rep
New Voices @ New Rep is a series of staged readings dedicated to introducing our audiences to emerging playwrights and bringing their attention to new works by established writers. All readings are free and open to the public. Many of the shows read in this series have gone on to be a part of our Mainstage season. Some of those scripts include Beast on the Moon, Orson’s Shadow, The Ice-Breaker, and Thomas Gibbons' new political drama A House With No Walls.

New Voices 2010:

afterlife - February 8, 2010 7:30pm

Tender
- March 1, 2010 at 7:30pm

Denise2 - March 8, 2010 at 7:30pm

All readings are FREE and open to the public. Please call the Box Office at 617-923-8487 to reserve your seat.


afterlife
by Steve Yockey
directed by Kate Warner

February 8, 2010 at 7:30pm in the Charles Mosesian Theater

Under consideration for our 2010-2011 Season

Featuring:
Marianna Bassham*, Danielle
Karl Baker Olson, Young Man
Dale Place*, Postman, Blackbird

An approaching storm forces a young married couple to come home to their empty beach house and batten down the hatches.  When a giant wave comes crashing over them, they tumble into an alternate reality where both must confront the ghosts that haunt them and decide what their afterlife will be.  This poetic and beautiful rolling National New Play Network World Premiere by Steve Yockey is sure to captivate.

steve_yockeySteve Yockey is a roaming member of Out of Hand Theater. His projects with the company include HELP! and Cartoon. Actor's Express Theatre in Atlanta, GA presented the world premiere of Octopus in January 2008, followed in May/June by an extended run in San Francisco, co-produced by Encore Theatre Company and Magic Theatre. He is a regular fixture at Dad's Garage Theatre Company including the short play cycle Sleepy, a work commissioned to inaugurate the second stage “Top Shelf” series, and the adults-only Skin - both directed by Kate Warner. Dad’s Garage and Berkeley’s Impact Theatre will co-world premiere the new play Large Animal Games this fall. The Mark Wing-Davey commissioned play Wonder will open at NYU’s Atlas Theatre this Dec, directed by Rachel Chavkin. Octopus, Cartoon and subculture (collected short plays) are available from Samuel French. Other plays include: Bellwether, Heavier than... and Bliss. He is a Phi Beta Kappa, Summa Cum Laude graduate of the University of Georgia and holds an MFA in Dramatic Writing from NYU’s Tisch School of the Arts. Steve recently completed a Coca-Cola Artist Residency teaching dramatic structure at Emory University in Atlanta, GA and currently lives/works in the San Francisco Bay Area as the NNPN Playwright-in-Residence at Marin Theatre Company.

Steve hopes to one day live on a high floor in a very tall building, get lost in Tokyo for a while and provide a home for two sweet-tempered giant schnauzers.

Tender
by Kelly Younger
directed by Bridget Kathleen O'Leary


March 1, 2010 at 7:30pm in the Black Box Theater

Featuring:
Jens Hinrichsen, Brian
Adrianne Krstansky*, Amanda
Ed Peed*, Frank

On the verge of foreclosure, a working mom realtor and her stay-at-home husband must reappraise their assets, including her aging truck driver father and his new motor home; but when they take away his keys, they learn love is not a loan that can be repaid.

KELLY_YOUNGERKelly Younger  is an award-winning playwright with work staged off-Broadway, in New York, Los Angeles, Chicago, throughout the Midwest and South, as well as in Canada, England, and Ireland.  New York’s Irish Repertory Theatre has commissioned Younger to write the stage adaptation of Peter Quinn's novel Banished Children of Eve to premiere off-Broadway this Fall. Select works include: the time-bending, romantic-comedy Rorschach that recently had a premiere reading in New York; I Think You Think I Love You (Playscripts; Smith and Kraus anthology Best Plays of 2005); Forgive me, Father (JAC publishing); Lady Gregory’s Ingredients (JAC publishing), winner of the Ireland National Lady Gregory Playwriting Award; Off Compass, winner of the 2007 John Gassner New Play Award; Once a MarineEpiphany Cake; and Why Wyoming, Critics’ Choice for its night in the Samuel French off-off-Broadway Festival; The Can Can (Smith and Kraus anthology Best Plays of 2010).  Several monologues from Younger’s plays appear in various anthologies from Smith and Kraus as well as Playscripts, and an excerpt of Younger’s translation of Trojan Women appears in Beth Henley’s play Revelers (Dramatists Play Service).  Born and raised in Los Angeles, Younger earned an MA in Classics at Loyola University Chicago and PhD in Drama Studies from University College Dublin in Ireland. He is currently an Associate Professor of English at Loyola Marymount University where he leads workshops in Playwriting and teaches courses in Dramatic Literature. He lives in Los Angeles with his wife and two children, and is a member of the Dramatists Guild of America.

Denise2
by Lauren Gunderson
directed by Bridget Kathleen O'Leary

March 8, 2010 in the Charles Mosesian Theater


Featuring:
Marie Polizzano, Denise
Eric Rollins, Marcus, Dr. White
Bobbie Steinbach*, Amanda, Dr. Green, Receptionist
Robert Walsh*, Steven

Today Denise finds out she is not her father's daughter, but a genetically exact replication of his wife. When Denise runs away from Steven, the memory of his wife, also named Denise, returns to help find "their daughter". Denise2 seeks to explore the human heart of a grieved scientific mind, positioning our hero between his past and future, his personal quest and his global impact, as he seeks understanding and forgiveness from without and within. Denise2 is a play about love and loss, joy and sorrow, action and consequence, and the liquid link between them all.

lauren_gundersonLauren Gunderson is a NYC (by way of Atlanta) playwright, screenwriter, and short story author. Received her MFA in Dramatic Writing at NYU Tisch and is a Reynolds Fellow in Social Entrepreneurship working with science, art, and education. She will be the first ever Playwright in Residence at The Kavli Institute of Theoretical Physics in 2010.  Her work has received national praise and awards including the Berrilla Kerr Award for American Theatre, Young Playwright’s Award, Eric Bentley New Play Award, Essential Theatre Prize, and many others. Her newest play Fire Work was featured at The O'Neill National Playwrights Conference this Summer 2009. Her science-history play Emilie: Le Marquise Du Châtelet Defends Her Life Tonight, premiered at South Coast Rep April 2009 and will be published by Samuel French this winter. She has been produced off-Broadway (Parts They Call Deep), off-off Broadway (Sus Manos), recently had many new plays premiere regionally (including Class, The Van Gogh Café, Leap, Background, A Short History of Nearly Everything, Embody). She is currently working her second commission for South Coast Rep and her first commission (Rock Hill) for Marin Theatre Company. She has been commissioned by The Alliance Theatre’s Collision Project, Actors Express Theatre, Dad’s Garage Theatre, Theatrical Outfit, City University of New York, and Synchronicity Performance Group. Leap was published with Theatre Emory’s Playwriting Center, and her first collection of plays, Deepen The Mystery: Science and the South Onstage, is published with iUniverse.  She has developed plays with Second Stage and Primary Stages in New York, The Magic Theatre in San Francisco, Kitchen Dog Theatre in Dallas, Actor Express in Atlanta, JAW/West in Portland, WORDBridge, Brave New Works at Emory, and others. She received a Sloan Science Script Award for her screenplay Grand Unification. Her astronomy short story The Ascending Life, winner the Norembega Short Fiction Award, will be published in the anthology, The Shape of Content; and her science play Background and was be published this spring in ISOTOPE: A Journal of Nature and Science Writing. Her string theory poem “Hook of a Number” was published in the anthology Riffing On Strings. She has spoken nationally and internationally on the intersection of science and theatre at conference all over the world.

 


Why do a staged reading?

New Voices @ New Rep is an integral part of our mission, as it affords playwrights the opportunity to see their work read by professional actors for the first time. Staged readings are performed without any theatrical devices such as sets and costumes so that the audience and, more importantly, the playwright can focus on the script. Writers have the unique opportunity during readings to see their play performed so that they can return to it and develop it further. Each reading is followed by a talkback with the playwright where the audience offers feedback on the script, giving them a chance to help develop a new play.

We receive a few hundred new scripts each year, and New Voices also helps us evaluate some of the top plays under consideration for our next season of Mainstage and Downstage @ New Rep shows. All readings are directed and performed by New Rep artists.


Script Submissions

New Repertory Theatre accepts unsolicited script submissions from agencies in the United States‚ Canada‚ and the UK. We do not accept unsolicited submissions from writers without an agent, but exceptions are made for writers from within the New England area. Only full scripts are accepted; no queries‚ summaries‚ or sample pages‚ please. Scripts will be returned to writers who include a self-addressed stamped envelope with their submission. Due to the large number of submissions New Repertory Theatre receives, we ask for a 12 month reading period for all scripts.

Scripts should be sent to:

New Repertory Theatre
ATTN: Bridget Kathleen O'Leary, Artistic Associate
200 Dexter Avenue
Watertown, MA 02472